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Ringtones and loops
to be downloaded in MP3 format*
| Loop n°25 |
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| La contrebasse préparée de Farid KHENFOUF, une caisse claire ayant subi les bonnes volontés de trafics enveloppants et les voix de Léo DEVAUX, Odette SIMON, et Michel NUGUES. Au loin, des cliquetis de castagnettes timides qui font plutôt penser à des claquements de doigts. |
441
Kb |
| Loop n°24 |
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| "Un été pourri" avec des éternuements et des tousseries (Albert MARCOEUR), la guitare acoustique de Vicente AMIGO, trois accords du Quatuor à cordes op. 12 de Louis VIERNE, la voix traficotée de Raquel RUIZ, des xylophones malgaches et des maracas altos. |
421
Kb |
| Loop n°23 |
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| Une thème traditionnel de n’goni (Stéphane SALERNO), une basse électrique (Farid KHENFOUF), une cloison en béton qui sert de grosse caisse et un motif rythmique constitué de fragments de grincements de portes d’armoire |
442
Kb |
| Loop n° 22 |
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| Morceaux de quatuor à cordes découpés dans la musique du film de Jean-Pierre Darroussin : le Pressentiment. C'est le Quatuor Ayin qui opère (violons : Frédéric Aurier, Jérémie Siot / violon alto : Julian Boutin / violoncelle : Luc Dedreuil-Monet). Des notes résultant du frottement d'un archet de contrebasse sur le rebord d'un verre en cristal. Et les choeurs d'Eddie ("Plusieurs cas de figure" / M8 2005) transposés dans la tonalité de la boucle. |
312
Kb |
| Loop n° 21 |
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| Provenant d'endroits différents, d'autres bouts de quatuor qui s'aspirent ou se repoussent. Les arpèges de guitare électrique de "Sports Hasardeux" (Sports et Percussions / M6 1994) triturés et modulés pour l'occasion. Guitare : François Ovide et toujours le Quatuor Ayin. Mixage : Claude Marcoeur |
320
Kb |
| Loop n° 20 |
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| Allers et retours de guitares acoustiques (François Ovide) et de guitares électriques (Stéphane Salerno, Éric Thomas, Julien Baillod). Trois mesures d'Appalderie (album éponyme / M1 1974). Au loin, des nappes languissantes de clarinettes (transcription pour clarinettes de deux accords du Quintette à cordes de Schubert). Avec la participation de la faune volatile du Costa Rica. |
336
Kb |
| Loop n° 19 |
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| Strings
quartet and electric guitar resonance, small bits
of creaking doors and comment on time passing (Michel
Salomon, retired railroad employee, 21150 Venarey
les Laumes) |
193
Kb |
| Loop
n° 18 |
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Superposition
of electric guitars (Jeff Beck, M. Doughty, François
Ovide)
Bass guitar : Farid Khenfouf |
196
Kb |
| Loop n° 17 |
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| Double
bass sounds from the same session as Loop 15 + electric
bass, metallic object bouncing on a tense string,
looped truck engine. |
442
Kb |
| Loop
n° 16 |
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| Imbroglio
of phone, fax and other attention ringing, a very
fast train passing by and the end of “Ulysse
et Linus” (Plusieurs cas de figure) played
backwards. Sounds a little like the theme tune of
a news flash on Radio Monte Carlo in 1977. |
256
Kb |
| Loop
n° 15 |
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| The
special correspondent of Loop 7 provides us with
a few additional details. He’s backed by pasted
drums tracks and the vibe of double bass strings
knocking on a resounding diaphragm. Stephan Volkov
: Drums / Farid Khenfouf : double bass |
290
Kb |
| Loop n°
14 |
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| Chorus
from "A La Claire Fontaine" sung by Albert
Blanchot (21150 Alise Ste Reine). Mix of symphonic
choirs and brass dragged out of Teleman's score
(1681-1767), Chinese guitar arpeggio (Stéphane
Salerno), bicycle wheels and a rubber ball upon
a thin wall of fibrocement. |
444
Kb
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| Loop n°
13 |
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| Burgundian
choir mae up from the inhabitants of two small North
Cote d'Or villages: Venarey-lès-Landes (zip
code 21150) and Alise Ste Reine (zip code 21150).
Voices, all generations merged, haved been layered
both anarchicaly and orderly so that under the look
of an unnamable mess the song can be recognized
! |
288
Kb
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| Loop n°
12 |
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| Attempt
I'm burning to call "Contemporary Ambiant"
made up from pieces of contemporary surroundings.
Backwards parcussions and keyboards rented from
the "Ensemble Contemporain", samples of
slide percussions from a piece by Marcland that
I triturated so much I don't even remember which
piece it is; the same for the muted trumpet that
I found by chance amid phone rings. |
572
Kb
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| Loop n°
11 |
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| Samples
from scores of Oriental and Rumanian brass bands,
Macedonian and Cretan brass bands; 4.5 cm of choirs
from Sigur Ròs (Introduction by Agaetis byrjun),
one chord borrowed from "Chamber Music"
by Henry purcell (1659-1695). |
528
Kb
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| Loop n°
10 |
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| Piec
of work around some brass bands and brass and reed
bands. First try of a piece to be called "The
Flies". Imbroglio of Gipsy brass bands, Catalan
brass and reed bands and choir bands from the "Eglise
Herzienne Polyvalente". |
444
Kb
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| Loop n°
9 |
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| Intermixed
electric guitars by Michael Brook and Stéphane
Salerno, chords from out of tune accordion (Roel
Van Camp), synthetic percussions and a Comté
clock. |
444
Kb
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| Loop
n°8 |
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| Made
from the compressing of plastic bottles and the
rubbing against one another of various materials.
This loop was written for the insects in "Mon
Placard" a 7-minute animated film by Olive
and Blanquet (VIRIDIANA 1999). It is also used as
a support for the sounds emitted by young Robert
(“Robert et les insectes“ / Plusieurs
cas de figure / M8 2001). |
128
Kb
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| Loop
n°7 |
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| A
few notes from a traditional Scottish melody (cornets,
bugles) on a carpet of strings. Two North-Korean
accordion chords played backwards and a reporter
without frontiers, on the spot narrator, gifted
and convincing draughtsman describing the history
of the end of the 20th century LIVE. |
442
Kb
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| Loop
n°6 |
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| Sanza
+ several varied percussion instruments. Loop used
in the choruses of "l'argent des gens"
(Plusieurs cas de figure / M8 2001) |
117
Kb
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| Loop
n°5 |
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| Two
resonating keyboard notes, striking cropped, of
the same length, edited alternately and manually
by Gérard Marcoeur on a 1/4 inch tape. (1982)
This loop supports the wood section and the backing
vocals at the end of “Questions/Réponses“. |
261
Kb
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| Loop
n°4 |
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| B.B.
Funeral oration over the telephone for a singer
friend of mine. With a two-string Nepalese guitar,
a blurred yet bright choir in the distance, and
as a footnote, like a logo, a genuine cry from the
heart. |
222
Kb
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| Loop
n°3 |
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| Paraguayan
voices and flutes, Slavic choruses, Poitou farmer,
on a rhythmical basis borrowed from the piece "TROÏKA"
by Jean-Pascal Boffo (Musea FGBG 4244AR) |
222
Kb
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| Loop
n°2 |
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| 16
beats of a piece done with the students of the "Centre
for contemporary music" of Valenciennes (6
electric guitars, 2 keyboards, 4 singers, 4 drum
kits, 2 bass guitars). Recorded in 1993 by Pascal
Schefferzick. |
311
Kb
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| Loop
n°1 |
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Three
clarinet notes backwards. The suction of the high-pitched
drums leading to the "forte" emphasises
the reverse effect. I would have liked to tone
it down without touching the clarinets. It was
the first loop I designed on a computer. I thought
I'd start simple! (Simone / first album)
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110
Kb
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Click
on the loop number to proceed with the downloading.
* Mono, 224 kbps, 44 KHz |
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